šŸ¤– Brands Restrict AI Usage

Miike's Midnightā€”dare to film a feature on your iPhone? And hold your shutter, the trillion FPS camera is here!

Created by the people at Beazy.

Welcome, creative friends!

Forget Hollywood! The behind-the-scenes of Miikeā€™s Midnight reveals how iPhones are stealing the spotlight in the film industry. And no, it's not a documentary.

In today's rundown

VISUAL CREATORS
For your artistic side.

The team of researchers in front of the SCARF camera system | INRS

Canadian scientists have developed a camera that can shoot up to 156.3 trillion frames per second ā€“ thatā€™s WAY faster than any camera before it.
Dubbed SCARF, the camera captures micro-events too swift for standard sensors.

Unlike other cameras in this space that compile individual frames into a movie, SCARF uses passive femtosecond imaging.

Professor Jinyang Liang, who made waves in 2018 with his groundbreaking ultrafast imaging work, led the research. Liang explains that SCARF overcomes many limitations of compressed ultrafast photography methods and could shed light on previously hard-to-study phenomena like femtosecond laser ablation.

Itā€™s being used to study things that happen really, really quickly like when light gets absorbed in a semiconductor. The camera works by using a special laser and a clever computer program to turn lots of bits of light into a super-detailed picture.

PRODUCTION MASTERY
The commercial aspects of creativity.

Under the moonlit streets of Tokyo, cult filmmaker Takashi Miike recently showcased Appleā€™s iPhone 15 Proā€™s cinematic capabilities in action, highlighting its cinematic range in a short film called "Midnight".

Miike, known for his over-the-top violent movies, dials back the gore for "Midnight," a noir-inspired tale of a taxi driverā€™s run-in with a local gang in Tokyo's neon-lit underbelly ā€“ perfect for showcasing the iPhone Proā€™s versatility in capturing everything from moody monochrome to high-octane color.

Apple's been pushing the iPhone 15 Pro as a tool for cinematic storytelling. Itā€™s a chance for them to flex their ā€œcinematic smartphoneā€ pitch, without the blood splatter.

Appleā€™s push into the cinematography space continues as the iPhone 15 Pro adds another directorā€™s cut to its reel.

CREATOR ECONOMY
Navigating the digital creative world.

Advertisers are demanding that agencies restrict their use of AI, with some brands now demanding that agencies not use AI at all without prior approval.

Marketing firms want to use generative AI, like OpenAIā€™s ChatGPT and DALL-E, to develop campaigns faster and cheaper, but clients worry about the techā€™s potential risks and arenā€™t as keen.

There is this juxtaposition of agencies ramping up their AI knowledge and usage, and then clients clamping it down.

Agencies seem to be more in love with the tools and technology, while brands donā€™t seem to care about the behind-the-scenes tech and are more interested in the content and end experience. Agencies are now navigating how to meet clientsā€™ demands without impeding internal innovation, knowing that AI is their key to staying competitive.

Every client meeting starts with this conversation. It is always the initial question, just to make sure the systems and the processes we use are working within the standards and the sort of frameworks that the brands want to establish.

Robert Wrubel, MD at Silverside AI.

Not all clients are banning AI: Ad Age reports that some, like PepsiCo and Apple, are setting up AI labs of their own or partnering with agencies to develop tailored AI solutions.

Context: This more cautious approach to AI marketing comes after brands including Under Armour and Hyundai used OpenAIā€™s ChatGPT and DALL-E for personalized ads last year, and experienced some backlash.

FEATURED

Talent:
Anastasiia Ruzhanska
(Photographer)

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